Friday, July 12, 2013

In One Person by John Irving

Great website here: http://john-irving.com/in-one-person-by-john-irving/


"An elderly bisexual man looks back upon his life and romances, reflecting on his unfulfilled loves and broken dreams."

In our group, feelings ranged from “loved it to “found it annoying.”  From fascinating insight into the experience of being gay to not being able to believe that one person could have all those experiences.  As an author, Irving drives home his message, overcompensates, and overdoes the point.  Grandfather’s life would be very different if it were nowadays.

Wednesday, June 12, 2013

Are You There, Vodka? It’s Me Chelsea by Chelsea Lately


Chelsea Handler is Jewish and Mormon.  She grew up in the suburbs of New Jersey.  She wrote this book when she was 33.

She says things that our (older) generation doesn't (wouldn’t) say.  Is this because of a generational difference or is she pushing boundaries?

Most of us didn’t think Chelsea Handler was funny.  Some comedians DO NOT need to swear or be obnoxious and others need to swear to get a “yuck, yuck” on their jokes.  She is crass, obnoxious, racist, sexist, and has nothing nice to say about anyone but herself.
- Behaviors can be cute, but that doesn’t mean that a whole group (little people or elders) should be classified as “cute.”
- She finds amusement in hurting people (re-gifting at the birthday party of the girl who had no friends)

We considered that her technique might be to point out where the rest of society is hypocritical.
- She says what others are secretly thinking
- You might not say something to someone and she goes ahead and says it anyway
- She has a crew filled with quirky people
- Love and family loyalty does come through (hopefully, these are episodes and now they are over) – perhaps she wears her humor as a protective armor.

Once the reader lets go that this is NOT a story about who she is and where she came from, or that it’s a biography, and thinks of the book as vignettes or short stories, it is easier to absorb. Her childhood life shows imagination and fantasy.  The book could have been a compelling story about her life, but ended up being a series of pickles she got herself in.

She is quite prolific as a writer with books about drinking, sex life, and family.
- She has difficulty opening up. 
- She is able to do commentary on news articles, but has no reflection on herself
- Her show staff loves her, but hates her, too
- She throws parties for other people, but never shows up (a female “great Gatsby”)
- She is empty and trying to fill herself up
- “Chewy” can equal her sassiness
- She is writing about her real life without commentary on why she does what she does
- You wonder how much of the story is exaggerated

Compared to last month’s book (also a comedian, from England)
- Her laziness is about coming to age in her thirties.

My Beloved World by Sonia Sotomayor

"Sonia Maria Sotomayor is an Associate Justice of the Supreme Court of the United States, serving since August 2009. Sotomayor is the Court's 111th justice, its first Hispanic justice, and its third female justice."


"The first Hispanic and third woman appointed to the United States Supreme Court, Sonia Sotomayor has become an instant American icon. Now, with a candor and intimacy never undertaken by a sitting Justice, she recounts her life from a Bronx housing project to the federal bench, a journey that offers an inspiring testament to her own extraordinary determination and the power of believing in oneself."

In our group, feelings were very consistent:  spectacular, uplifting, and we’re in absolute awe of her.  She’s funny and crazy smart.  The story of becoming a judge is interesting, and so is her personal life and the decisions she made to get to where she wanted to be by taking ownership of her destiny at age 5 when she was diagnosed with diabetes.  She had a pivotal, stable relationship with her grandmother that was very important.  Sonia doesn’t have a lot of cultural capital, so she “fakes it until she makes it” by playing along until she has a chance to research what she didn’t understand or know (slang, references to literature or art, etc.)

Sunday, April 21, 2013

How to Be a Woman by Caitlin Moran


Missing ideas/chapters on how to be/become a woman:
- Gym class and locker room
- Losing her virginity – maybe this chapter is missing because that is one “typical” way that girls become women
- Violence against women (physical and verbal)

Writing Style
- Using colons for quotes, instead of commas
- Large vocabulary
- Doesn’t focus on “poor me” and she isn’t whiney

Judy Blume wrote the books on how to become a woman when we were kids!

Finishing the Book
One thing we discussed was that no one had actually finished the book by the time of our meeting.  What made it so hard to finish reading?  It wasn’t particularly difficult to read.  It didn’t have many characters having conversations.  It wasn’t sad or depressing.  It also didn’t have a face-paced action plot to keep you flipping pages.  But, “being a woman” is a topic that we all have experience with.  So, when she talks about getting her period, we all remember our own stories.  When she talks about being classed “fatso,” we remember the names we were called.  So, what was your “worst birthday.”

 QUOTES

“I Am A Feminist!” Page 69
I still don’t have any friends, either.  Not one – unless you count family, which obviously you don’t, because they just come free with your life, wanted or not, like the six-page Curry’s brochure that falls out of the local paper, advertising Spectrum 128k home computers and “ghetto blasters.”

But on the plus side, I am not alone because – as with a million lonely girls and boys before – books, TV, and music are looking after me now.  I am being raised by witches, wolves, and unexpected guest stars on late-night chat shows.  All art is someone trying to tell you something, I realize.  There’re thousands of people who want to talk to me, so long as I open their book or turn on their show.  There are a trillion telegrams with important information and tips.  It may be bad information or a misconstrued tip – but at least you are getting some data on what it’s like out there…  You are getting input.

Books seem the most potent source (of input): each one is the sum total of a life that can be inhaled in a single day.  I read fast, so I’m hoovering up lives at a ferocious pace, six or seven or eight in a week.  I particularly love autobiographies:  I can eat a whole person by sundown.

And every book, you find, has its own social group (of other authors) – friends of its own it wants to introduce you to, like a party in the library that need never, ever ends.

Page 80
We have to remember that snidely saying, “Her hair’s a bit limp on top” isn’t what’s keeping womankind from closing the 30 percent pay gap and a place on the board or directors.  I think that’s more likely to be down to tens of thousands of years of ingrained social, political, and economic misogyny and the patriarchy, tbh.  That’s just got slightly more leverage than a gag about someone’s bad trousers.

I have a rule of thumb that allows me to judge… Are the men doing it?  Are the men worrying about this as well?  Is this taking up the Men’s time?  Are the men told not to do this, as it’s “letting our side down”?  Are the men having to write bloody books about this exasperating, retarded, time-wasting bullshit?  Is this making Jon Stewart feel insecure?  Almost always, the answer is:  “No.  The boys are not being told they have to be a certain way.  They’re just getting on with stuff.”

Page 82
Being polite is possibly the greatest daily contribution everyone can make to life on earth.  But at the same time, “Are the boys doing it?” is a good way to detect spores of misogyny in the soil, which might otherwise seem a perfectly fertile and safe place to grow a philosophy… I finally decided I was against women wearing burkas… I would definitely put this under the heading “100 percent stuff that the men need to sort out.”

“I Need a Bra!”  Page 97
The relief of taking off a bad bra is immeasurable.  It’s like a combination of putting your feet up, going to the bathroom, having a drink of cold water on a hot day, and sitting on the steps of a trailer having a smoke.  Bad bra removal is a measure of your friendships.  If you would feel comfortable going round to someone’s house at the end of a long day and saying, “I’m just going to take my bra off,” you know you are intimate friends.

“I Am Fat!” Page 100
We are basically auditioning each other as friends.

Page 101-102
I’m 16, and these are my best clothes, and this is my best day, and a loft of pigeons flash past us, wings like linen, and it’s autumn, and the sky goes on forever, and I can wait for him… “Did they call you Fatty?”… So that’s the first time I ever felt the world stop – although not the last, of course… It’s a swear word.  It’s a weapon.  It’s a psychological subspecies.  It’s an accusation, dismissal, and rejection.

“I Encounter Some Sexism!” Page 126
These days, a plethora of shitty attitudes to women have become diffuse, indistinct, or almost entirely concealed.  Fighting them feels like trying to combat a moldy mildew smell in the hallway, using only a bread knife.  Because – like racism, anti-Semitism, and homophobia – modern sexism has become cunning.  Sly.  Codified.  In the same way a closet racist would never dream of openly saying “nigger” but might make a pointed reference to someone black having natural rhythm or liking fried chicken, so a closet misogynist has a vast array of words, comments, phrases, and attitudes that he can employ to subtly put a woman down or disconnect her, but without it being immediately apparent that that is what he is actually doing… he places a packet of Tampax on your desk.  “Given how emotional you’ve been, I thought you might need these”…

“I Am In Love!” Page 147
You are no longer an observer but a participant.

It’s amazing how much you can find to say when there’s one big thing you’re too afraid to say: “This isn’t working.”

If it doesn’t work, it’s simply because I didn’t try hard enough.

Page 150
The people around you are mirrors… You see yourself reflected in their eyes.  If the mirror is true, and smooth, you see your true self.  That’s how you learn who you are.  And you might be a different person to different people, but it’s all feedback that you need, in order to know yourself.  But if the mirror is broken, or cracked, or warped… the reflection is not true.  And you start to believe you are this … bad reflection.

“I Go Lap-Dancing!” Page 163
I can’t believe that girls saying, “Actually, I’m paying my university fees by stripping” is seen as some kind of righteous, empowered, end-of-argument statement on the ultimate morality of these places.  If women are having to strip to get an education – in a way that male teenage student are really notably not – then that’s a gigantic political issue, not a reason to keep strip clubs going.

“I Get Married!” Page 173
If we were inventing things from scratch, surely we would decide to throw a gigantic celebration of love right at the end of the whole thing – when we’re in our sixties and seventies, the mortgage is paid off, and we can see if the whole “I love you forever” thing actually worked out or not.

“I Get Into Fashion!” Page 191
All the other women buy lots more clothes, I think. They have lots more clothes than me.  They are doing things differently.  I’m not doing what the women do…  I’m not being a proper woman, I think , staring at my wardrobe.  All the other women are “putting together outfits” and “working on their looks.”  I am just “putting together the cleanest things.”  Now I’ve got some money again, I should sort this out.

Page 206
The following eight hours (of a fashion shoot) were the worst of my life that haven’t ended in an episiotomy…  I left that studio, eight hours later, sweaty and in tears.  It was the ugliest I’d ever felt.  Without even the aid of being able to smile – “look mysterious, and sexy. Kind of… vague” – I was reduced entirely down to the clothes on my back and how my body looked in them. And in these styles, rather than the ones I’ve carefully collected as being “helpful” to me, I was a total failure.

(Movie stars) were just wearing (shoes) for photographs.  They know it’s just for photograph.  We – the customers – are the only ones who are buying this stuff and then trying to walk around in it all day; move in it; live in it.

Why You Should Have Children Page 218
Fairly early on in the event, you will have the most dazzlingly simple revelation of your life:  that the only thing that really matters in the whole goddamn crazy mixed-up word, is whether or not there’s something the size of a cat stuck in your cervix, and that any day when you do not have a cat stuck in your cervix will be, buy default, wholly perfect in every way.

In short, a dose of pain that intense turns you from a girl into a woman.  (Childbirth) is one of the most effective ways of changing your life.

Page 219
You basically come out of that operating theater like Tina Turner in Mad Max: Beyond Thunderdome, but lactating.

“Role Models and What We Do With Them” Page 249
But, of course, on being freed, people who’ve been psychologically crushed don’t immediately start doing glorious, confident, ostentatious things.  Instead, they sit around for a while, going, “What the fuck was that?” trying to work out why it happened, trying – often – to see if it was their fault.  They have to work out what their relationship is with their former aggressors and come up with new command structures – or work out if they want command structures at all. There’s a need to share experiences and work out (a) what “normal” is and  (b) if you want to be it.  And , above all , it takes time to work out what  you actually believe in – what you think for yourself.   If everything you have been taught is the history, mores, and reasoning of you victors, it takes a long, long time to work out what bits you want to keep, which bits you want to throw away: which bits are poisonous to you, and which parts salvageable.

Page 255
For women, finding a sympathetic, nonjudgemental arena is just as important as getting the right to vote.  We needed not just the right legislation, but the right atmosphere, too, before we could finally start to found our canons – then, eventually, cities and empires.

“Abortion” Page 266
For mothers must pretend that they are loving and protective of all life, however nascent or putative it might be.  They should – we still quietly believe, deep down inside – be prepared to give and give and give, until they simply wear out.  The greatest mother – the perfect mother – would carry to term every child she conceived, no matter how disruptive or ruinous, because her love would be great enough for anything and everyone… Women should be, essentially capable of endless, self-sacrificial love… On a very elemental level, if women are, by biology, commended to host, shelter, nurture, and protect life, why should they not be empowered to end life, too?

Tuesday, February 5, 2013

Sacré Bleu by Christopher Moore


 

I thought of a few questions (couldn't find any study guides on line) to consider in preparation for our discussion.

What books have you read, or do you know, which have “art” as a theme, but are not “art books”?

What did you learn about art and painters from Sacré Bleu: A Comedy d'Art? When/How did you first learn about these artists?  Were any of them new to you?  Have you seen their artwork?  What were your feelings about the art?

What did you think about the Science Fiction aspect of the novel?  What did you think about the sequence of events?  Could you follow it?  Would you move anything around? What science fiction aspects have some basis in reality?    What do you think about the idea of having “sacred blue” or a "muse"?

What did you learn (or remember, if you have been there) about Paris?

DISCUSSION of Sacré Bleu: A Comedy d'Art? by Christopher Moore.

First we caught folks up on the story line.  Was it really a suicide?  Or was Vincent Van Gogh murdered? Ultimately, the artists and/or their women (wives, lovers, and models) are dying, and that moves the investigation further into the realm of muses, cave art, and creation of a sacred blue color formed from something other than lapis lazuli.  HIS WEBSITE is amazing: http://guide.sacrebleu.info/2012/04/03/guide-to-the-chapter-guide/

The story was really clever – an amazing amount of research pulled together into an historical story line that evolves into science fiction.

Beautiful, evocative, prose:
“A conscience soaked in wine”
He “wasn’t a scoundrel, but scoundrels envied his laugh”

What did we learn about art and painters from Sacré Bleu: A Comedy d'Art? When/How did we first learn about these artists?  Were any of them new to us?  Have we seen their artwork?  What were our feelings about the art?
•  The best “sacred blue” is made from lapis lazuli – unless it’s made the way the book describes.
•  Sacred blue was used for Mary’s robe, it was red before that – This was interesting and new to us.  Christopher Moore did so much research!
•  Artists would paint several paintings at the same time of the same place because, after an hour, the lighting changed and it was a different painting. – This seems obvious, but we had never considered it before, and it totally makes sense.
•  Most of us knew the painters, but not the women in their lives.

What did we think about the Science Fiction aspect of the novel?  What did we think about the sequence of events?  Could we follow it?  Would we move anything around? What do we think about the idea of having “sacred blue” or a "muse"?
• Many of us felt that the story line and sequence worked well because it kept us interested and didn’t give anything away too early.

What books have we read, or do we know, which have “art” as a theme, but are not “art books”?
•  The Da Vinci Code by Dan Brown
•  Girl with the Pearl Earring by Tracy Chevalier
•  “Life Studies” series biographical fiction about artists

What did you learn (or remember, if you have been there) about Paris?
•  Sacré Coeur http://www.sacre-coeur-montmartre.com/ - the place for artists.  Learned this while in Pairs, but was too young to know that’s what it was known for!

Who is represented/mentioned in the book? Below are quick summaries from Wikipedia:

Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec; was a French painter, printmaker, draughtsman and illustrator
Born: November 24, 1864, Albi
Died: September 9, 1901, Gironde

Vincent Willem van Gogh was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art.
Born: March 30, 1853, Zundert
Died: July 29, 1890, Auvers-sur-Oise

Theodorus "Theo" van Gogh was a Dutch art dealer. He was the younger brother of Vincent van Gogh, and Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting.
Born: May 1, 1857, Zundert
Died: January 25, 1891, Utrecht

Claude Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
Born: November 14, 1840, Paris
Died: December 5, 1926, Giverny

Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.
Born: January 19, 1839, Aix-en-Provence
Died: October 22, 1906, Aix-en-Provence

Édouard Manet was a French painter. One of the first 19th-century artists to approach modern and postmodern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism.
Born:  January 23, 1832, Paris
Died:  April 20, 1883, Paris

Eugène Henri Paul Gauguin was a leading French Post-Impressionist artist who was not well appreciated until after his death.
Born: June 7, 1848, Paris
Died: May 8, 1903, Atuona

Georges Pierre Seurat was a French Post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the technique of painting known as pointillism.
Born: December 2, 1859, Paris
Died: March 29, 1891, Paris

Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style.
Born: February 25, 1841, Limoges
Died: December 3, 1919, Cagnes-sur-Mer

Camille Pissarro 10 July 1830 – 13 November 1903 was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. http://en.wikipedia.org/wiki/Camille_Pissarro
Born: July 10, 1830, Charlotte Amalie
Died: November 13, 1903, Paris

Henri de Toulouse-Lautrec
Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec; was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of ...
Born: November 24, 1864, Albi
Died: September 9, 1901, Gironde

Edgar Degas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist.
Born: July 19, 1834, Paris
Died: September 27, 1917, Paris

Saying the following website is phenomenal is an understatement.  It has great chapter-by-chapter visuals of paintings and scenery from the book.  I cannot recommend it enough.  It also has photographs of the artists with the models and paintings; explanations of how the “blue” is made; photographs from the Paris scenes (the Catacombs!); photographs of ancient cave art, related drawings and paintings of that time period; and the passages from the book.  It also has Christopher Moore’s reflections on research and writing, while touring Paris and the museums where the painting are shown. “Oh well. At some point you have to stop researching and write, and at that point, you’re going to get some stuff wrong.“ It is so interesting to see and read that I couldn’t stop once I started, even the “comments” were interesting.  http://guide.sacrebleu.info/2012/04/03/guide-to-the-chapter-guide/

And here is a video of Christopher Moore discussing the book: http://www.youtube.com/watch?v=YOqJ7OKSg_s

Summary (for a longer summary and great interview with the author http://www.amazon.com/Sacre-Bleu-Comedy-dArt-P-S/dp/006177975X)
Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death… even Jesus Christ and Santa Claus!   Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.